Mon, Jul 08|
"While Days Like This offers just a glimpse of what Morgan can do, it doesn’t take more than that to recognize a tremendously gifted singer with a very bright future.” -Andy Gilbert KQED Melissa Morgan (vocals), Sam Hirsh (piano), George DeLancey (bass), Kevin Kanner (drums)
Jul 08, 2019, 8:00 PM
Sam First, 6171 W Century Blvd Suite 180, Los Angeles, CA 90045, USA
"You have to check out this voice. It is interesting. It is sassy. It is sexy.", says producer John Clayton. Brought up in the jazz clubs of New York City, Melissa Morgan has a voice that is unexpected. From the exterior you would assume a sultry lounge singer, which does make an appearance once and awhile, but from inside she contains a powerful instrument. "Prepare to fall in love" (Bay Area Reporter), and fall in love you do. On stage she bares everything and makes you laugh while doing it. While belting a blues or tenderly massaging a ballad, she has come a long way from her appearance at the 2004 Thelonious Monk Competition. In 2009, Melissa released her debut album on Telarc Records, "Until I Met You" to enthusiastic reviews and was embraced by the jazz community as "the one we've been waiting for" (Dr. Herb Wong, jazz critic and historian). Downbeat Magazine included her on their 2009 Rising Star List and JazzTimes has named her "audacious and decidedly salty". With her new album close to completion, she has gathered together her dearest friends to tell her story of the last five years, growing in the business and as a musician. While you will always hear definitive influences from Nancy Wilson, Dinah Washington and Billie Holliday, "Melissa isn't copying anybody" (London Evening Standard) and most certainly has a definitive sound all her own.
"While Days Like This offers just a glimpse of what Morgan can do, it doesn’t take more than that to recognize a tremendously gifted singer with a very bright future.” - Andy Gilbert, California Report on KQED
Days Like This considered for GRAMMY nomination in 3 categories:
Best Vocal Jazz Album, Best Improvised Solo - Gerald Clayton, "You Don't Know Me" and Best Improvised Solo - Gilbert Castellanos, "Some of My Best Friend's Are The Blues"
Please limit tickets purchased to 6 per show. If you'd like to bring a larger group, email email@example.com
Student/LA Jazz Society member
Must present a valid student ID or LA Jazz Society membership card upon arrival. Please limit tickets purchased to 6 per show. If you'd like to bring a larger group, email firstname.lastname@example.org